Monday, 2 March 2015

Brit Awards - Resource 2: Promotion & Labels?

http://www.telegraph.co.uk/culture/music/brit-awards/11433861/The-Brit-Awards-are-not-fit-for-purpose.html

The Brit Awards? More like the Twit Awards

A mainstream British music award that recognises The Spice Girls and Steps but overlooks The Rolling Stones, Radiohead and Led Zeppelin is not fit for purpose, says Neil McCormick




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The Spice Girls have won a Brit Award for Outstanding Contribution to Music
The Spice Girls have won a Brit Award for Outstanding Contribution to Music Photo: Paul Grover



What do The Rolling Stones, Radiohead, Pink Floyd, Led Zeppelin and The Clash have in common? They are among the superstars of British pop culture never to have received a Brit Award. And they are not exactly alone in being overlooked. How about Ray Davies and The Kinks, Bryan Ferry and Roxy Music or Morrissey and The Smiths? Not a gong between them.
Considering this is a mainstream popularity award that was inaugurated in 1977 (as the Britannia Awards), has been running annually since 1982 (as the BPI awards), and since 1989 as the Brits, it has somehow managed to bypass many of the biggest talents, most significant artists and globally venerated stars of British pop history. So extraordinary is the roster of those not honoured by the Brits, you have to seriously question who the awards are supposed to be for?
"A Brit Award generally goes to a lot of shrivelled young souls who have not earned it," Morrissey opined in a recent diatribe against the British music industry’s annual backslapping celebration of itself. "None are likely to ask 'are you sure I deserve it?', possibly because they know the reply." For Morrissey, the Brits are just "the junk propaganda of the strongest labels gathering to share out awards for their own artists whom they plan to heavily promote." In other words, like all the Oscar and Bafta nominated films held back from the general public for release in award season, while being heavily promoted to judging academies, it is effectively a rigged contest operating as a future marketing campaign for industry favourites.
Actually I think Morrissey is wrong. I think the Brits is not so much inherently corrupt as completely dysfunctional. An academy voting system (which is what the Brits operates) has an inbuilt tendency to flatten things out, with a bias towards the most popular act of the moment, no possibility of discussion or debate, no way of correcting faults or distinguishing novelty acts from original and sustained talent. It is an awards system without critical bias, relying instead on collective recognition.
Sometimes worthwhile artists win, reflecting those cherished moments when popular taste and artistic value converge. And sometimes you are confronted by such outrageous anomalies as manufactured boy-girl band Steps receiving a Brit in 2000 for (wait for it) Best Live Act. The Darkness, Duffy and Stereo MCs are all multiple award winners for flash in the pan pop moments. The Brits has bestowed honours upon such negligible talents as S Club 7, Busted, Five, Des’Ree, Sonique, Kula Shaker and James Morrison. Meanwhile consistently interesting, critically acclaimed and globally recognised artists of the calibre of Elvis Costello, PJ Harvey and Chrissie Hynde’s Pretenders have been ignored for year after year, along with such culturally significant groups as Black Sabbath, Def Leppard, Happy Mondays, Stone Roses, Primal Scream, Pulp, Madness and The Sex Pistols. You could make a truly extraordinary festival of British pop from the Brits cast-offs.
Many British superstars enjoyed their glory days before the Brits were properly established. However The Beatles, who broke up in 1970, have been honoured collectively and individually multiple times, whilst The Stones (who kept rocking all the way through) have been entirely disregarded. The Outstanding Contribution to Music Award was presumably supposed to correct such incongruities. Among its recipients have been The Spice Girls and Robbie Williams, which might explain why the category has been quietly dropped in recent years. The Spice Girls may have made an outstanding contribution to something, but I can tell you for sure it wasn’t music.

If the Brit awards are really that hit and miss, perhaps it is time for us all to give it a miss. Because this level of persistent omission goes well beyond accidental oversight and suggests a problem that is systemic. A mainstream British music award that runs for over thirty years and can’t find a place for Mick Jagger, Keith Richards, Robert Plant, Jimmy Page, Ray Davies, Bryan Ferry, Thom Yorke or Morrissey is not fit for purpose. Maybe we should think of another name for the whole farrago. How about the Twits?

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